On top of this you now have the ability to modulate the position of each node, either via a sidechain input, envelope modulation or syncable LFO, opening up the possibility for incredibly complex, multi-layered EQ sweeps to add detail to your sound. Although the filters are placed before and after the distortion by default, you can freely change the order of all the modules, even choosing to run the filters in parallel if you so desire. First up are the two filter modules, which give you six bands and a choice of over 20 different filters from clean and warm to saturated, screaming and vowel types. With the exception of a new delay section, the fundamental modules are the same but with a number of tweaks to improve both flexibility and workflow.
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